https://lisamaionearchive.cargo.site Lisa J. Maione — Teaching | Research | Service Tue, 20 Sep 2022 02:10:22 +0000 https://lisamaionearchive.cargo.site en https://lisamaionearchive.cargo.site/Front-page Sat, 19 Mar 2022 00:09:24 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Front-page This website serves as an on-going repository of documentation from my experiences in teaching, creative practice, scholarship,&nbsp;and serving in the community with primary focus from 2016 through 2024. ︎ Centering Growth and Change ︎︎︎ Interweaving Creative Activities ︎︎︎ Working in Communities&nbsp; https://lisamaionearchive.cargo.site/Overview Sat, 19 Mar 2022 00:09:25 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Overview Lisa Maione (she/her/they/them) is a designer, artist, writer and educator. She is an Assistant Professor of Graphic Design at Kansas City Art Institute in Kansas City, Missouri, USA. BIO Lisa J. Maione (b. 1983) is a designer, artist and educator. Born in Tokyo, Japan, raised in California and Texas, her creative practice investigates the nature of the screen as a material that complicates perceptions of histories, social economy, and the self in relation to others. EDUCATION MFA in Graphic Design, Rhode Island School of Design (RISD) BFA in Graphic Design, Rhode Island School of Design (RISD) Post-Graduate Certificate In Type Design, Type@Cooper NYC TEACHING EXPERIENCE Present: Kansas City Art Institute (MO) Past: Parsons School of Design (NYC), Queens College CUNY (NYC), Marymount Manhattan College (NYC), Maryland Institute College of Art (MD), California State University - Long Beach (CA),&nbsp;Oklahoma State University (OK) BACKGROUND Since 2008, Lisa has been teaching, leading and co-creating in higher education within a variety of private and public institutions. She has taught design in undergraduate and graduate graphic design and visual communication programs, including Parsons School of Design (NYC), Queens College City University of New York (CUNY), Marymount Manhattan College (NYC), California State University Long Beach (CSULB), Maryland Institute College of Art (MICA), Oklahoma State University (OK), and Kansas City Art Institute (KCAI). As of Fall 2017, she is a full-time Assistant Professor of Graphic Design at KCAI focusing on typography, user experience, and graphic design histories. Together with her colleagues, she strives to create learning experiences interweaving typography, image-making, history, theory and media literacy in a practice-based studio curriculum. As a practicing designer, she works with clients through for instance, a design practice&nbsp;︎︎︎ [link]. As an exhibiting artist, her photography and drawing work has been shown nationally and internationally. In spring 2019, she co-founded the KCAI Diversity Working Group (DWG), an ad-hoc committee of the Faculty Assembly dedicated to making space for faculty who seek continuing education, support, and professional development in matters regarding diversity and inclusion in the classroom and in academia. DWG initiated the establishment of KCAI’s IDEAS Council, a co-facilitated group of staff, students, and faculty meeting weekly to engage and serve campus-wide issues as a collective, nomination-based recommending body. She has contributed significantly to the Educational Outreach and Exhibition Committee through organizing exhibitions (2017–2020), as well as support student travel opportunities and scholarships through the Mobility Committee (2021–present). As an extension of her professional work and continuing education, she has completed introductory coursework in Adult Learning (School of Professional Studies, CUNY) and earned a Post-Graduate Certificate in Type Design (Type@Cooper NYC). She is certified to serve as a Search Advocate (2020–present) on campus search, selection and retention committees. Her service record reflects a long-term commitment to inclusion, diversity, equity and access in education, in and out of the classroom. Lisa serves as a working board member of AIGA Kansas City (AIGAKC), User Experience Professionals’ Association Kansas City (UXPA-KC) and genEquality. https://lisamaionearchive.cargo.site/Excellence-in-Teaching Sat, 19 Mar 2022 00:09:25 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Excellence-in-Teaching This section serves as documentation of my experience in teaching, including hyperlinks to my list of professional development around teaching and student awards and accolades. Below on this page is a listing of the courses I have taught, special projects with students and external partners, and highlights from experiences with students. List of Courses Taught SOPHOMORE LEVEL STUDIO COURSES AT KCAI <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/10042bc2d8127510cca6fd504c8f80076e5086596909f60a7f4b77b57582ce46/IMG_6577.jpeg" data-mid="136867126" border="0" src="https://freight.cargo.site/w/1000/i/10042bc2d8127510cca6fd504c8f80076e5086596909f60a7f4b77b57582ce46/IMG_6577.jpeg" /> Type and Image 1 Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2021, F2020 COURSE DESCRIPTIONIn what ways might typography and language manifest in an artistic practice? This studio elective course begins with a series of workshops focused on the fundamentals and principles of typography. The course offers exposure to artistic practices and inquiries that engage language in space — physical, virtual, digital, material, and augmented spatial constructs. In a proposal-based format, students work with typography at multiple scales. A strong interest in developing work that engages language is encouraged and expected. No prior experience with typography or graphic design courses is required.<img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/493fe33ccb26472862234009915910991b72d4b2fcd4c3a291333d7e9d37788f/Teaching_StudentWork_IMG_5943-2.JPG" data-mid="153396845" border="0" src="https://freight.cargo.site/w/1000/i/493fe33ccb26472862234009915910991b72d4b2fcd4c3a291333d7e9d37788f/Teaching_StudentWork_IMG_5943-2.JPG" /> Type and Image 2 Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute S2022, S2021 COURSE DESCRIPTIONTo continue our exploration of the visual power of type &amp; image, we will investigate the wide-ranging possibilities of various formal combinations of text and image to produce meaning that is vital to social and cultural communication systems, issues of composition and hierarchy, simultaneity and sequencing of image &amp; text, together and in isolation, will be addressed through 2d, 3d, and 4d experimentation. <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/f0d3f08433a3414eba0abca939c74026b20777d009529a3feb0b5dd0dd2124de/IMG_0109.JPG" data-mid="153397100" border="0" src="https://freight.cargo.site/w/1000/i/f0d3f08433a3414eba0abca939c74026b20777d009529a3feb0b5dd0dd2124de/IMG_0109.JPG" /> Typography 1Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2017 COURSE DESCRIPTIONTo continue our exploration of the visual power of type &amp; image, we will investigate the wide-ranging possibilities of various formal combinations of text and image to produce meaning that is vital to social and cultural communication systems, issues of composition and hierarchy, simultaneity and sequencing of image &amp; text, together and in isolation, will be addressed through 2d, 3d, and 4d experimentation.<img width="1002" height="704" width_o="1002" height_o="704" data-src="https://freight.cargo.site/t/original/i/ee7e1dd2a1f00fbcdeaa60cd2b3030df75d543df4eb123014da8513082429497/Screen-Shot-2022-09-19-at-10.47.24-PM.png" data-mid="153397803" border="0" src="https://freight.cargo.site/w/1000/i/ee7e1dd2a1f00fbcdeaa60cd2b3030df75d543df4eb123014da8513082429497/Screen-Shot-2022-09-19-at-10.47.24-PM.png" /> Typography 2Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute S2020, S2019, S2018 COURSE DESCRIPTIONTo continue our exploration of the visual power of type &amp; image, we will investigate the wide-ranging possibilities of various formal combinations of text and image to produce meaning that is vital to social and cultural communication systems, issues of composition and hierarchy, simultaneity and sequencing of image &amp; text, together and in isolation, will be addressed through 2d, 3d, and 4d experimentation. <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" data-mid="162212680" border="0" src="https://freight.cargo.site/w/400/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" /> Image and Photo-makingRequired Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2019, F2018 COURSE DESCRIPTIONIn what ways might typography and language manifest in an artistic practice? This studio elective course begins with a series of workshops focused on the fundamentals and principles of typography. The course offers exposure to artistic practices and inquiries that engage language in space — physical, virtual, digital, material, and augmented spatial constructs. In a proposal-based format, students work with typography at multiple scales. A strong interest in developing work that engages language is encouraged and expected. No prior experience with typography or graphic design courses is required. <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9bf426da9823bf13e33477fe5e65c1b94c51888cacfe977a1b63e13fa8a3d17f/Teaching_GDHistories_FieldTrip_IMG_0153.jpeg" data-mid="153396659" border="0" src="https://freight.cargo.site/w/1000/i/9bf426da9823bf13e33477fe5e65c1b94c51888cacfe977a1b63e13fa8a3d17f/Teaching_GDHistories_FieldTrip_IMG_0153.jpeg" /> Graphic Design Histories Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2021, F2020, F2019, F2018 COURSE DESCRIPTIONAs critical thinkers and makers, the strongest graphic designers must develop an understanding of visual communication from prehistory to the present as a critical history of social, cultural and technological change. We will examine the history of the written word, production methods, mass communication, and other modes and means of design to study the changing values and ideas around distribution, circulation, literacy, and other activities core to design. Research methodologies establish and reinforce a foundation for independent research and writing. We will engage in group conversations to discuss, activate and share insights and ideas we glean from reading, watching, and listening to a range of relevant sources.JUNIOR/SENIOR LEVEL STUDIO COURSES AT KCAI <img width="2018" height="1538" width_o="2018" height_o="1538" data-src="https://freight.cargo.site/t/original/i/51515eec007a5d9f7c4b3ecd1a5ffcfd3d2e55b5dcee9ca7fbdf3a5270294946/Screen-Shot-2022-09-19-at-10.57.57-PM.png" data-mid="153398584" border="0" src="https://freight.cargo.site/w/1000/i/51515eec007a5d9f7c4b3ecd1a5ffcfd3d2e55b5dcee9ca7fbdf3a5270294946/Screen-Shot-2022-09-19-at-10.57.57-PM.png" /> Information Architecture and Data Visualization Inquiry Major Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute SP2022 COURSE DESCRIPTIONAn information and attention economy requires that quantitative and qualitative data, news, statistics, processes, and instructions take on clear, understandable, and investigable visual form. This enhances the viewer’s ability to understand and analyze information or accomplish tasks. Together we will immerse ourselves in foundational principles of information design, diagramming and mapping systems and processes, visualization of the concrete and abstract, systems thinking, and consider the ethical issues such as data bias and use/misuse of data. To support and shape our experiences within the studio, we will discuss insights and share ideas we glean from reading, watching, and listening to a range of relevant sources. <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/dc990fa331bbe909d32837cb2641bc3cad5f0bbc42cf29f99105868a68d11c90/IMG_1024.jpeg" data-mid="153260044" border="0" src="https://freight.cargo.site/w/1000/i/dc990fa331bbe909d32837cb2641bc3cad5f0bbc42cf29f99105868a68d11c90/IMG_1024.jpeg" /> User Experience Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute S2021, S2020, S2019, S2018 COURSE DESCRIPTIONTo continue our exploration of the visual power of type &amp; image, we will investigate the wide-ranging possibilities of various formal combinations of text and image to produce meaning that is vital to social and cultural communication systems, issues of composition and hierarchy, simultaneity and sequencing of image &amp; text, together and in isolation, will be addressed through 2d, 3d, and 4d experimentation. <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" data-mid="162212680" border="0" src="https://freight.cargo.site/w/400/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" /> Self-Directed Inquiry (formerly Degree Project) Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute SP2021, SP2019 COURSE DESCRIPTIONThe Senior Degree Project will focus on each student’s unique topic and voice, in what will serve as the culmination of the graphic design undergraduate education. The degree project will be addressed both theoretically and practically, through extensive research, writing, visual experimentation, class discussion, personal insight and interest. <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" data-mid="162212680" border="0" src="https://freight.cargo.site/w/400/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" /> Design Systems Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2021, F2020 COURSE DESCRIPTIONIn this course, students will develop a broad overview of complex design problems from practical and theoretical perspectives. Course content will focus on larger scale communications programs involving identity and branding systems in several media, including print, web, environmental signage, exhibitions and/or packaging. The projects stimulate inquiry from the student’s unique personal interests and allow exploration of various concept development strategies. Scheduled meetings include lectures, presentations, demonstrations, and discussions of contemporary design work. Participants should make full use of their individual (and our collective) time and effort and should consider the course and all its activities as a collective set of parts with which to build insight. <img width="730" height="454" width_o="730" height_o="454" data-src="https://freight.cargo.site/t/original/i/b86f3a69f48c7b2939b0cea1353856ad79159e58a14f5e3e2d5fd3ca53b6a07f/Screen-Shot-2022-09-19-at-10.28.52-PM.png" data-mid="153397118" border="0" src="https://freight.cargo.site/w/730/i/b86f3a69f48c7b2939b0cea1353856ad79159e58a14f5e3e2d5fd3ca53b6a07f/Screen-Shot-2022-09-19-at-10.28.52-PM.png" /> Typography 4 Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute S2020, S2018 As the last in the sequence of required type courses, students will study the interpretation of visual language systems and explore typographic expression. Projects will integrate accumulated typographic knowledge with form, image, sequence and narrative. The course allows — invites and demands — students to develop content and to communicate individual perspectives through writing, research, and form. <img width="982" height="784" width_o="982" height_o="784" data-src="https://freight.cargo.site/t/original/i/039474d37714bd2d95186ab52704778df846b06857a6e2b07a0d6843a3afdcc4/Screen-Shot-2022-09-19-at-10.41.16-PM.png" data-mid="153397518" border="0" src="https://freight.cargo.site/w/982/i/039474d37714bd2d95186ab52704778df846b06857a6e2b07a0d6843a3afdcc4/Screen-Shot-2022-09-19-at-10.41.16-PM.png" /> NarrativeRequired Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2018, F2017 COURSE DESCRIPTIONExplorations in this course will focus on creating and influencing meaning in both linear and non-linear narrative communication. Sequence, rhythm, pacing, sound, and progression is explored in 2, 3, and 4-dimensional media. Students are introduced to narrative theory to gain understanding of graphic design as a storytelling device through the use of editing, authorship, action and story arcs. Demonstrations and lectures will build a working knowledge of tools and techniques using planning &amp; editing processes (storyboarding and writing).<img width="1272" height="1198" width_o="1272" height_o="1198" data-src="https://freight.cargo.site/t/original/i/e6422ce6181b6c7f1fb498816844062fe2d5a1f2ed5efbafc8de189cf2ac1643/Screen-Shot-2022-09-18-at-8.33.08-PM.png" data-mid="153285760" border="0" src="https://freight.cargo.site/w/1000/i/e6422ce6181b6c7f1fb498816844062fe2d5a1f2ed5efbafc8de189cf2ac1643/Screen-Shot-2022-09-18-at-8.33.08-PM.png" /> Human-Centered Design Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2017 COURSE DESCRIPTIONThis studio explores the capability of graphic design to create meaningful messages and experiences for the user, whether purely visual, or possibly tangible. The dialogue between designer and audience is studied for the purpose of pragmatic and appropriate design decisions. Ethnographic design research methods (direct observation, writing, video, interview) and gathering audience information and feedback informs the design process. Class exercises will push initial experimentation through the sense of touch, with special consideration to human factors. Projects will address a spectrum of content from social to commercial and across a range of media. OPEN STUDIO ELECTIVES AT KCAI<img width="1036" height="518" width_o="1036" height_o="518" data-src="https://freight.cargo.site/t/original/i/a40eb8d759d8d55720339a3463c90a16a785b7f2d4fea972289537341988a6a1/Diane_Abecedarium2022.png" data-mid="162212752" border="0" src="https://freight.cargo.site/w/1000/i/a40eb8d759d8d55720339a3463c90a16a785b7f2d4fea972289537341988a6a1/Diane_Abecedarium2022.png" /> Abecedarium: A Cabinet of Typographic Curiosities Open Studio Elective ︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2022 COURSE DESCRIPTIONInterested in letters, alphabets, syllabaries, or writing systems around the globe? In this course, we explore all things typographic from dropcaps to lettering to type design. We explore the back shelves of used bookstores, visit archives and libraries, look at painted signage, and observe how visual language is read, seen, felt and heard through typography. Through a series of prompts, we study the fundamentals and principles of typography supported by highlights from design histories and contemporary practices. We discuss the differences between lettering (drawing words) and making a font (type design). You will be exposed to a variety of forms of calligraphy and drawing letterforms in order to integrate design systems processes and type design practices into your work. <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c08724c60a3bdbee540f5a1af22172b26deae79d15d6a348dd90a541f5f161ea/IMG_9340.jpeg" data-mid="153397252" border="0" src="https://freight.cargo.site/w/1000/i/c08724c60a3bdbee540f5a1af22172b26deae79d15d6a348dd90a541f5f161ea/IMG_9340.jpeg" /> Experimental Type: Typography For/In/With SpaceOpen Studio Elective︎︎︎ Jump to Course Page ︎︎︎ Kansas City Art Institute F2019 COURSE DESCRIPTIONIn what ways might typography and language manifest in an artistic practice? This studio elective course begins with a series of workshops focused on the fundamentals and principles of typography. The course offers exposure to artistic practices and inquiries that engage language in space — physical, virtual, digital, material, and augmented spatial constructs. In a proposal-based format, students work with typography at multiple scales. A strong interest in developing work that engages language is encouraged and expected. No prior experience with typography or graphic design courses is required. UNDERGRADUATE COURSES AT OKLAHOMA STATE UNIVERSITY<img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/65cc40c98258b15aa67a930b0ecab6af2319b8afc4ddc7d11ccf6cfec43b9de4/IMG_6411.JPG" data-mid="153397340" border="0" src="https://freight.cargo.site/w/1000/i/65cc40c98258b15aa67a930b0ecab6af2319b8afc4ddc7d11ccf6cfec43b9de4/IMG_6411.JPG" /> Digital Design 1 Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Oklahoma State University F2016, SP2017 COURSE DESCRIPTIONIn an era where nearly everything is connected to digital technology, what is digital design? This course is an intensive introductory exploration of tools and methods in digital image-making. This course is invested in the use of and engagement with media (especially tools and software) for their visual, conceptual, technical and practical potential. A sequence of projects introduce participants to multiple aspects of graphic form and design. This course incorporates lectures, discussions, projects, in-class workshops, work-sessions, individual and group critiques, research and readings.<img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" data-mid="162212680" border="0" src="https://freight.cargo.site/w/400/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" /> Graphic Design 1Required Studio ︎︎︎ Jump to Course Page ︎︎︎ Oklahoma State University F2016 COURSE DESCRIPTIONIn what ways might typography and language manifest in an artistic practice? This studio elective course begins with a series of workshops focused on the fundamentals and principles of typography. The course offers exposure to artistic practices and inquiries that engage language in space — physical, virtual, digital, material, and augmented spatial constructs. In a proposal-based format, students work with typography at multiple scales. A strong interest in developing work that engages language is encouraged and expected. No prior experience with typography or graphic design courses is required.<img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" data-mid="162212680" border="0" src="https://freight.cargo.site/w/400/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" /> Interaction and Sensory Design ResearchIndependent Study See Graduate Interaction course Oklahoma State University S2017 COURSE DESCRIPTIONIn what ways might typography and language manifest in an artistic practice? This studio elective course begins with a series of workshops focused on the fundamentals and principles of typography. The course offers exposure to artistic practices and inquiries that engage language in space — physical, virtual, digital, material, and augmented spatial constructs. In a proposal-based format, students work with typography at multiple scales. A strong interest in developing work that engages language is encouraged and expected. No prior experience with typography or graphic design courses is required. <img width="866" height="874" width_o="866" height_o="874" data-src="https://freight.cargo.site/t/original/i/f412edc2c580f1d94a799a530a6d1a6acfddafbae611af000e5438b804bd75d0/Screen-Shot-2022-09-19-at-10.38.36-PM.png" data-mid="153397404" border="0" src="https://freight.cargo.site/w/866/i/f412edc2c580f1d94a799a530a6d1a6acfddafbae611af000e5438b804bd75d0/Screen-Shot-2022-09-19-at-10.38.36-PM.png" /> Lettering and Type DesignIndependent Study ︎︎︎ Jump to Course Page ︎︎︎ Oklahoma State University S2017 COURSE DESCRIPTIONThis course is structured to be a supplemental elective for students in the Graphic Design program. It is an introduction to basic type and lettering techniques, strategies and methods. Each class meeting is an opportunity to get feedback, suggestions and advice on in-progress work. As an independent study course, it is expected that each student brings self-motivation and curiosity to the projects. The special structure of this course is that you have a small cohort of support and common projects. Students are expected to meet with one another between meetings with professors to provide mutual support in their progress. GRADUATE COURSES AT OKLAHOMA STATE UNIVERSITY<img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" data-mid="162212680" border="0" src="https://freight.cargo.site/w/400/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" /> Graduate MFA Interaction Studio 1Required Studio︎︎︎ Jump to Course Page ︎︎︎ Oklahoma State University S2017 COURSE DESCRIPTIONIn what ways might typography and language manifest in an artistic practice? This studio elective course begins with a series of workshops focused on the fundamentals and principles of typography. The course offers exposure to artistic practices and inquiries that engage language in space — physical, virtual, digital, material, and augmented spatial constructs. In a proposal-based format, students work with typography at multiple scales. A strong interest in developing work that engages language is encouraged and expected. No prior experience with typography or graphic design courses is required. <img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" data-mid="162212680" border="0" src="https://freight.cargo.site/w/400/i/fd436c1accf440fd9bb0525863df547d2260815a078eb130a64772abc91df4fa/Maione_ImageTK.png" /> MFA Thesis Required for MFA candidatesRole: External Advisor ︎︎︎ Jump to Course Page ︎︎︎ Oklahoma State University 2017–2021 Advisor for Mario Bocanegra Martinez, 2016–2019 Advisor for Ghazal Foroutan, 2018–2021&nbsp; Special Projects for Community PartnershipsAnnual KCAI Commencement Identity ProjectIn partnership with the KCAI Marketing and Communications team <img width="826" height="772" width_o="826" height_o="772" data-src="https://freight.cargo.site/t/original/i/54ca5a135b929b92b761fe3fa4d2b18dee4f048a54a2e37ba19b16242ff026db/Screen-Shot-2022-09-19-at-10.44.29-PM.png" data-mid="153397604" border="0" src="https://freight.cargo.site/w/826/i/54ca5a135b929b92b761fe3fa4d2b18dee4f048a54a2e37ba19b16242ff026db/Screen-Shot-2022-09-19-at-10.44.29-PM.png" /> Lawn PartyWith Nelson-Atkins Museum of Art <img width="1040" height="1274" width_o="1040" height_o="1274" data-src="https://freight.cargo.site/t/original/i/c42f45706a4cdc7f577cd8156f68f71060a0ac1be9b906d0f0fddbd9b97517e4/Screen-Shot-2022-09-19-at-10.23.10-PM.png" data-mid="153396939" border="0" src="https://freight.cargo.site/w/1000/i/c42f45706a4cdc7f577cd8156f68f71060a0ac1be9b906d0f0fddbd9b97517e4/Screen-Shot-2022-09-19-at-10.23.10-PM.png" /> <img width="792" height="1006" width_o="792" height_o="1006" data-src="https://freight.cargo.site/t/original/i/7db2cd748476318e28f16a0e5bd7f926f04d6c4f77d73e55fe30311a8b9d4131/Screen-Shot-2022-09-19-at-10.23.41-PM.png" data-mid="153396965" border="0" src="https://freight.cargo.site/w/792/i/7db2cd748476318e28f16a0e5bd7f926f04d6c4f77d73e55fe30311a8b9d4131/Screen-Shot-2022-09-19-at-10.23.41-PM.png" /> Big PicnicWith Nelson-Atkins Museum of Art <img width="942" height="1314" width_o="942" height_o="1314" data-src="https://freight.cargo.site/t/original/i/cf5ea53a5486376b943c726fe4b98fd64f4dfc74193b839089df16fd1073d840/Screen-Shot-2018-05-06-at-6.23.44-PM.png" data-mid="153398621" border="0" src="https://freight.cargo.site/w/942/i/cf5ea53a5486376b943c726fe4b98fd64f4dfc74193b839089df16fd1073d840/Screen-Shot-2018-05-06-at-6.23.44-PM.png" />Juneteeth 2021With Juneteenth KC and Nelson-Atkins Museum of Art <img width="1206" height="1092" width_o="1206" height_o="1092" data-src="https://freight.cargo.site/t/original/i/fee283b51366a932af77811f5284866d64099208a27253ebc9bc0e8542a77e08/Screen-Shot-2022-09-18-at-8.35.32-PM.png" data-mid="153285781" border="0" src="https://freight.cargo.site/w/1000/i/fee283b51366a932af77811f5284866d64099208a27253ebc9bc0e8542a77e08/Screen-Shot-2022-09-18-at-8.35.32-PM.png" /> Poster Series CompetitionWith the Folly Theater <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c83b9d64d4ff08c8d19bfa2ced5db99c0e714c59f1b627fa3d23ea3604c49ad1/Teaching_Folly_IMG_7525.jpeg" data-mid="153397155" border="0" src="https://freight.cargo.site/w/1000/i/c83b9d64d4ff08c8d19bfa2ced5db99c0e714c59f1b627fa3d23ea3604c49ad1/Teaching_Folly_IMG_7525.jpeg" /> <img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/84cc88d67a765017fc1873f3d1d0e90af5f98b630ffa6c9dd39fe361d6840a87/Teaching_Folly_2019_42294805_10156735201149108_3450118770423496704_n.jpg" data-mid="153285820" border="0" src="https://freight.cargo.site/w/960/i/84cc88d67a765017fc1873f3d1d0e90af5f98b630ffa6c9dd39fe361d6840a87/Teaching_Folly_2019_42294805_10156735201149108_3450118770423496704_n.jpg" /> <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/d5188cedcf847e93741f0ebecd1b650baf2ee023d9bf3ec1d148985a5c0c27c9/IMG_0419-2.JPG" data-mid="153397524" border="0" src="https://freight.cargo.site/w/1000/i/d5188cedcf847e93741f0ebecd1b650baf2ee023d9bf3ec1d148985a5c0c27c9/IMG_0419-2.JPG" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d712d3fcf789d06c899e91e4429b823bb2d75d94b6e65079083b6fe89af7a5b0/Teaching_Folly_IMG_7523.jpeg" data-mid="153398134" border="0" src="https://freight.cargo.site/w/1000/i/d712d3fcf789d06c899e91e4429b823bb2d75d94b6e65079083b6fe89af7a5b0/Teaching_Folly_IMG_7523.jpeg" /> Site Visits and Guest Critics Bauhaus Halloween, October 2019 <img width="5012" height="1909" width_o="5012" height_o="1909" data-src="https://freight.cargo.site/t/original/i/a54e598978a0dbd38e198211b26445b92c974d85902e28b1f720b2c96ac3bb18/Teaching_2018_181031_Bauhaus_Halloween_History_of_GD.jpg" data-mid="153392419" border="0" src="https://freight.cargo.site/w/1000/i/a54e598978a0dbd38e198211b26445b92c974d85902e28b1f720b2c96ac3bb18/Teaching_2018_181031_Bauhaus_Halloween_History_of_GD.jpg" /> Various guest critics invited to class critiques and conversation with students <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/f9092cdb3c04375ad04d50887ed7dd423edfe7a872738111d9c1e4f1567f6ecf/Teaching_GuestCritics_Fall2017_IMG_1202.JPG" data-mid="153396763" border="0" src="https://freight.cargo.site/w/1000/i/f9092cdb3c04375ad04d50887ed7dd423edfe7a872738111d9c1e4f1567f6ecf/Teaching_GuestCritics_Fall2017_IMG_1202.JPG" /> <img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/0dae4ec6967e33be4c594533c489455a3014e40b3006502698cd93b276f2bbda/Teaching_GuestCritic_J_2018_KCAI_3.jpg" data-mid="153396791" border="0" src="https://freight.cargo.site/w/550/i/0dae4ec6967e33be4c594533c489455a3014e40b3006502698cd93b276f2bbda/Teaching_GuestCritic_J_2018_KCAI_3.jpg" /> Jon Key, Current Perspectives visiting artist’s workshop in September 2019 <img width="2207" height="1088" width_o="2207" height_o="1088" data-src="https://freight.cargo.site/t/original/i/719817e217c2680b7721668c495f02bbc3a07e9bb63d31477d450b680eec860c/Teaching_KCAI_2018_JKey_workshop01b.jpeg" data-mid="153392451" border="0" src="https://freight.cargo.site/w/1000/i/719817e217c2680b7721668c495f02bbc3a07e9bb63d31477d450b680eec860c/Teaching_KCAI_2018_JKey_workshop01b.jpeg" /> Professional Development in Teaching and Topics in Higher Education&nbsp; Fellow, Academic Leadership Institute , AICAD, 2022–2023Fellow, Artist Leadership Program, Mid-America Arts Alliance Artist Leadership Program, Fall 2022 Participant, FREEiii Workshop Project NYC/LA Pedagogical design education workshop themed ALL ACCESS EDUCATION, 19-22 January 2021 Participant, Workshopping the “UL” of Design: Circumstantial/Situational/Conditional/Improvisational Approaches to Design Pedagogy, 2 March 2019. Pratt, Brooklyn, NY (Invited by Nida Abdullah and Denise Gonzales Crisp) Participant, AICAD 2018 Symposium, 6–9 November 2018. Chicago, IL Participant, ThinkTank10 Compass Points: Navigating the Landscapes of Art, Design, Mind and Body, 13–14 June 2018. University of Delaware, DE Participant, ThinkCatalyst@FATE The Foundations Core: Evolution and Endurance, 5 April 2017. Kansas City, MO Participant, Oklahoma Arts Conference, OK Arts Council, 26-28 October 2016. OKState. Participant, ITLE Teaching and Learning Conference, 4–5 August 2016. Stillwater, OK Participant, Creative Time Summit: Curriculum, 11–13 August 2015. Venice Biennale, Venice, Italy Participant, Spaces of Learning Design Educator’s Conference (AIGA), 16–18 April 2015. York University, Toronto 2014 Participant, Facilitation: by Design (AIGA), 24–25 July 2014. School of Visual Arts Branding Studio, NYCParticipant, Extreme By Design: Design Thinking Workshop, hosted by Teachers College, Columbia University, NYC Student, Adult Learning Certificate Program (2 of 4 courses) City University of New York School of Professional Studies (CUNY SPS), New York City NY https://lisamaionearchive.cargo.site/Creative-Practice Sat, 19 Mar 2022 00:09:25 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Creative-Practice Working with typography, moving image, and information visualization, my artistic practice is a hybrid of lens-based media, drawing, and writing. I activate the expanded field of graphic design as a creative practice with clients, and concurrently as a subject and context to respond and call to question. I work with clients on commissions as a consultant and design partner, and I create artwork shared through exhibitions in galleries, through collaborations, and public-facing opportunities. Exhibition History︎︎︎ Design Projects ︎︎︎ Artistic Practice and Research ︎︎︎ Publications ︎︎︎Presentations︎︎︎ https://lisamaionearchive.cargo.site/Service-to-the-Community Sat, 19 Mar 2022 00:09:26 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Service-to-the-Community A primary throughline that I observe in the communities I serve, learn from, and work within is a commitment to striving for ever-more inclusive practices that expand the ways and places in which design is defined, shared and experienced. To the Institution Details are available upon request. IDEAS Council Member, 2020–present Diversity Working Group (DWG) Co-chair, 2019–present Cofounded with E. Lim-Midyett, 2019 External Opportunities and Exhibitions Committee (EOEC) Co-chair, 2017–2019 Chair, 2019–2020 Mobility Committee 2021–present Visiting Artists Working Group (VAWG) Member, 2019–2021 Co-chair, 2022– Governance Committee Member, 2019–2021 Grievance Committee Member, 2021–2022 To the DepartmentDetails are available upon request. To the Community and BeyondDetails are available upon request. AIGA-KC Board Chair of Education, 2022–2023VP of Education, 2018–2019 UXPA-KC Board Board Co-chair, 2021–2022Board&nbsp; Member, 2020–present genEquality Board Member, 2020–2023 Professional Development in Service&nbsp;︎︎︎ Search Advocate Training, Summer 2020Search Advocate Certification, current through Summer 2023 Mid-America Arts Alliance Artist Leadership Fellow, 2022 Dismantling White Supremacy Culture: For Asian/Asian American Educators (online), 14 April 2021 The Intersection of Mindful Facilitation &amp; Group Process (online), 29 March 2021 Co-Creating Shared Meaning: Language Setting as an Inclusive Practice, Creative Reaction Lab webinar (21 January 2021) 2021&nbsp; ELEVATIONLAB ™ New Venture, Missouri Small Business Development Center at UMKC Kansas City, MO Antiracism Culture in the Arts, Charlotte Street Foundation (online) AICAD 2019 Symposium: INCLUDE ME!, 7–9 November 2019, Los Angeles, CA NAAAP National Leadership Conference: The Unconventional Leader, 22–24 August 2019, Kansas City, MO Design Plus Diversity Conference, 1–3 August 2019, Chicago, IL https://lisamaionearchive.cargo.site/Course_KCAI_ElectiveAbecedarium Sun, 18 Sep 2022 14:53:22 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Course_KCAI_ElectiveAbecedarium COURSE NAME Abecedarium: A Cabinet of Typographic Curiosities DESN 280-41, 3 credits Kansas City Art Institute COURSE DESCRIPTION Interested in letters, alphabets, syllabaries, or writing systems around the globe? In this course, we explore all things typographic from dropcaps to lettering to type design. We explore the back shelves of used bookstores, visit archives and libraries, look at painted signage, and observe how visual language is read, seen, felt and heard through typography. Through a series of prompts, we study the fundamentals and principles of typography supported by highlights from design histories and contemporary practices. We discuss the differences between lettering (drawing words) and making a font (type design). You will be exposed to a variety of forms of calligraphy and drawing letterforms in order to integrate design systems processes and type design practices into your work. COURSE OBJECTIVES — Develop an understanding of the connections and differences between calligraphy, lettering, and typeface design. SYLLABI FROM EACH ITERATION OF THE COURSE Fall 2022&nbsp;︎︎︎Visual excerpts from class lectures <img width="2432" height="1366" width_o="2432" height_o="1366" data-src="https://freight.cargo.site/t/original/i/6c55e4f1ff19df6226718fe49a0770a12270c430b8dc90bbecb6285aebf3353b/Screen-Shot-2022-10-09-at-9.39.18-PM.png" data-mid="155334536" border="0" src="https://freight.cargo.site/w/1000/i/6c55e4f1ff19df6226718fe49a0770a12270c430b8dc90bbecb6285aebf3353b/Screen-Shot-2022-10-09-at-9.39.18-PM.png" /> <img width="2416" height="1352" width_o="2416" height_o="1352" data-src="https://freight.cargo.site/t/original/i/b6c069b45d9ee3f1462d87df3ddedbe449a8145d34e0ca8a7e7fd5cd7492a731/Screen-Shot-2022-10-09-at-9.39.25-PM.png" data-mid="155334537" border="0" src="https://freight.cargo.site/w/1000/i/b6c069b45d9ee3f1462d87df3ddedbe449a8145d34e0ca8a7e7fd5cd7492a731/Screen-Shot-2022-10-09-at-9.39.25-PM.png" /> <img width="2418" height="1364" width_o="2418" height_o="1364" data-src="https://freight.cargo.site/t/original/i/e7b8a665c7ed1cf6105384ffffac9e124dc6b6b2a0c2193d08a0c942b36cf735/Screen-Shot-2022-10-09-at-9.39.38-PM.png" data-mid="155334539" border="0" src="https://freight.cargo.site/w/1000/i/e7b8a665c7ed1cf6105384ffffac9e124dc6b6b2a0c2193d08a0c942b36cf735/Screen-Shot-2022-10-09-at-9.39.38-PM.png" /> <img width="2434" height="1356" width_o="2434" height_o="1356" data-src="https://freight.cargo.site/t/original/i/708d614115afabbb8f3b20bfbb260c5e32fdd71fe166a034e4ef3366a8282820/Screen-Shot-2022-10-09-at-9.41.14-PM.png" data-mid="155334618" border="0" src="https://freight.cargo.site/w/1000/i/708d614115afabbb8f3b20bfbb260c5e32fdd71fe166a034e4ef3366a8282820/Screen-Shot-2022-10-09-at-9.41.14-PM.png" /> <img width="2426" height="1354" width_o="2426" height_o="1354" data-src="https://freight.cargo.site/t/original/i/713ed769b049ccdec97a832316d4dd7ae4c867bc2d169b2010c73151399af559/Screen-Shot-2022-10-09-at-9.41.39-PM.png" data-mid="155334660" border="0" src="https://freight.cargo.site/w/1000/i/713ed769b049ccdec97a832316d4dd7ae4c867bc2d169b2010c73151399af559/Screen-Shot-2022-10-09-at-9.41.39-PM.png" /> <img width="2432" height="1360" width_o="2432" height_o="1360" data-src="https://freight.cargo.site/t/original/i/276be9d047673daa20b3b76ac8a5c9eea391522532c846d350d0e7d515615b4c/Screen-Shot-2022-10-09-at-9.42.03-PM.png" data-mid="155334777" border="0" src="https://freight.cargo.site/w/1000/i/276be9d047673daa20b3b76ac8a5c9eea391522532c846d350d0e7d515615b4c/Screen-Shot-2022-10-09-at-9.42.03-PM.png" /> Linda Hall Library Special Collections with Jamie Cumby. Field Trip, Fall 2022 <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d022f354f8cbe0d4e46f90920e93d0fd7fc4d5077b3d1804b65e1d8a9f0b603b/IMG_6036.jpg" data-mid="153283366" border="0" src="https://freight.cargo.site/w/1000/i/d022f354f8cbe0d4e46f90920e93d0fd7fc4d5077b3d1804b65e1d8a9f0b603b/IMG_6036.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e0e3160a999d754849769a2b7b19605e2f78bfb7bc9a59a21b1b9fcac158b2ae/IMG_6041.jpg" data-mid="153283367" border="0" src="https://freight.cargo.site/w/1000/i/e0e3160a999d754849769a2b7b19605e2f78bfb7bc9a59a21b1b9fcac158b2ae/IMG_6041.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/30e1d0db828315d93e570155cfece712cc319d1dffc178fea2997f85a5a124db/IMG_6042.jpg" data-mid="153283368" border="0" src="https://freight.cargo.site/w/1000/i/30e1d0db828315d93e570155cfece712cc319d1dffc178fea2997f85a5a124db/IMG_6042.jpg" /> Studio visit with Calvert Guthrie at the Kansas City Center for the Ink &amp; Paper ArtsField Trip, Fall 2022 Examples of Student Work and Process <img width="1654" height="1116" width_o="1654" height_o="1116" data-src="https://freight.cargo.site/t/original/i/729da02d16c0e9055d95836b94cf41389d76ced7de6d2ae4bd59e43b997e15e0/Screen-Shot-2022-09-18-at-8.08.45-PM.png" data-mid="153283782" border="0" src="https://freight.cargo.site/w/1000/i/729da02d16c0e9055d95836b94cf41389d76ced7de6d2ae4bd59e43b997e15e0/Screen-Shot-2022-09-18-at-8.08.45-PM.png" /> <img width="1374" height="1000" width_o="1374" height_o="1000" data-src="https://freight.cargo.site/t/original/i/7b60875a1e08d160df55b463eff3a99a99cf660c7cf24176b7e4ee5f29b6c46f/Screen-Shot-2022-09-18-at-8.09.04-PM.png" data-mid="153283780" border="0" src="https://freight.cargo.site/w/1000/i/7b60875a1e08d160df55b463eff3a99a99cf660c7cf24176b7e4ee5f29b6c46f/Screen-Shot-2022-09-18-at-8.09.04-PM.png" /> <img width="1190" height="1104" width_o="1190" height_o="1104" data-src="https://freight.cargo.site/t/original/i/37dea50255297891006fb957164502e4ea9ba25164df3d67fceb376ef03efceb/Screen-Shot-2022-10-09-at-9.16.05-PM.png" data-mid="155333343" border="0" src="https://freight.cargo.site/w/1000/i/37dea50255297891006fb957164502e4ea9ba25164df3d67fceb376ef03efceb/Screen-Shot-2022-10-09-at-9.16.05-PM.png" /> <img width="1174" height="794" width_o="1174" height_o="794" data-src="https://freight.cargo.site/t/original/i/4d91c9cd4c93db4c5828c4338a8d444d2e114778c6a2b9818a61ae6b816bf233/Screen-Shot-2022-10-09-at-9.17.52-PM.png" data-mid="155333370" border="0" src="https://freight.cargo.site/w/1000/i/4d91c9cd4c93db4c5828c4338a8d444d2e114778c6a2b9818a61ae6b816bf233/Screen-Shot-2022-10-09-at-9.17.52-PM.png" /> <img width="1120" height="732" width_o="1120" height_o="732" data-src="https://freight.cargo.site/t/original/i/6389d35632c68d93ea9f7d30772f585a663bb1048ba5483daef6e06f0e9d7d4a/Screen-Shot-2022-10-09-at-9.13.39-PM.png" data-mid="155333306" border="0" src="https://freight.cargo.site/w/1000/i/6389d35632c68d93ea9f7d30772f585a663bb1048ba5483daef6e06f0e9d7d4a/Screen-Shot-2022-10-09-at-9.13.39-PM.png" /> <img width="1746" height="1508" width_o="1746" height_o="1508" data-src="https://freight.cargo.site/t/original/i/9e77b5e176bc0a8201ede7dd89563668d4b61de2337729d6b374d3a71f1ceeed/Screen-Shot-2022-09-18-at-8.09.14-PM.png" data-mid="153283779" border="0" src="https://freight.cargo.site/w/1000/i/9e77b5e176bc0a8201ede7dd89563668d4b61de2337729d6b374d3a71f1ceeed/Screen-Shot-2022-09-18-at-8.09.14-PM.png" /> <img width="936" height="660" width_o="936" height_o="660" data-src="https://freight.cargo.site/t/original/i/447e429fb45fc6799ffbacc4c0ce02a80ffd9116279eb8bb5fa713b1893d1963/Screen-Shot-2022-09-18-at-8.08.34-PM.png" data-mid="153283783" border="0" src="https://freight.cargo.site/w/936/i/447e429fb45fc6799ffbacc4c0ce02a80ffd9116279eb8bb5fa713b1893d1963/Screen-Shot-2022-09-18-at-8.08.34-PM.png" /> Initial calligraphic&nbsp; explorations after introduction to pen and nib processes. Various students. <img width="1558" height="1190" width_o="1558" height_o="1190" data-src="https://freight.cargo.site/t/original/i/cbb99b6fd95fbe10447485b95fce553b6f0b70a99631ce3b87ccb0322349ff1b/Screen-Shot-2022-10-09-at-9.04.56-PM.png" data-mid="155333116" border="0" src="https://freight.cargo.site/w/1000/i/cbb99b6fd95fbe10447485b95fce553b6f0b70a99631ce3b87ccb0322349ff1b/Screen-Shot-2022-10-09-at-9.04.56-PM.png" /> <img width="1414" height="1188" width_o="1414" height_o="1188" data-src="https://freight.cargo.site/t/original/i/9722fcc3d0453eb510575d37bc2bd30f91702d30c12eb63c12b9296a517d4a94/Screen-Shot-2022-09-18-at-8.08.56-PM.png" data-mid="153283781" border="0" src="https://freight.cargo.site/w/1000/i/9722fcc3d0453eb510575d37bc2bd30f91702d30c12eb63c12b9296a517d4a94/Screen-Shot-2022-09-18-at-8.08.56-PM.png" /> Calligraphy practice and applied composition by student Adam Lock. <img width="1180" height="1178" width_o="1180" height_o="1178" data-src="https://freight.cargo.site/t/original/i/c05a9d01ee65ed021e26a16b0c3c88ff7e0b64804f0e615e75c4d2914922b49c/Screen-Shot-2022-10-09-at-9.08.50-PM.png" data-mid="155333096" border="0" src="https://freight.cargo.site/w/1000/i/c05a9d01ee65ed021e26a16b0c3c88ff7e0b64804f0e615e75c4d2914922b49c/Screen-Shot-2022-10-09-at-9.08.50-PM.png" /> <img width="922" height="884" width_o="922" height_o="884" data-src="https://freight.cargo.site/t/original/i/cc770f73bd180ab66744dc380fc8dbebc92e87f5c747ed58e762d21c2a66b75b/Screen-Shot-2022-10-09-at-9.08.40-PM.png" data-mid="155333103" border="0" src="https://freight.cargo.site/w/922/i/cc770f73bd180ab66744dc380fc8dbebc92e87f5c747ed58e762d21c2a66b75b/Screen-Shot-2022-10-09-at-9.08.40-PM.png" /> <img width="1166" height="1122" width_o="1166" height_o="1122" data-src="https://freight.cargo.site/t/original/i/ed759b5e7cb036f1d5fd3d50f1051837fba49f6c015e1ab50439139632b1733d/Screen-Shot-2022-10-09-at-9.08.59-PM.png" data-mid="155333102" border="0" src="https://freight.cargo.site/w/1000/i/ed759b5e7cb036f1d5fd3d50f1051837fba49f6c015e1ab50439139632b1733d/Screen-Shot-2022-10-09-at-9.08.59-PM.png" /> <img width="1176" height="1300" width_o="1176" height_o="1300" data-src="https://freight.cargo.site/t/original/i/53db0ef6448bb142b33025f120861de8c3c8090ed39ba964d655031696d208a5/Screen-Shot-2022-10-09-at-9.17.01-PM.png" data-mid="155333349" border="0" src="https://freight.cargo.site/w/1000/i/53db0ef6448bb142b33025f120861de8c3c8090ed39ba964d655031696d208a5/Screen-Shot-2022-10-09-at-9.17.01-PM.png" /> <img width="2008" height="1336" width_o="2008" height_o="1336" data-src="https://freight.cargo.site/t/original/i/00b02907290df19e4dbd1b331f793474b5f6dff4d65033dc7aa0866eb57da52d/Screen-Shot-2022-10-09-at-9.20.02-PM.png" data-mid="155333430" border="0" src="https://freight.cargo.site/w/1000/i/00b02907290df19e4dbd1b331f793474b5f6dff4d65033dc7aa0866eb57da52d/Screen-Shot-2022-10-09-at-9.20.02-PM.png" /> <img width="2074" height="1380" width_o="2074" height_o="1380" data-src="https://freight.cargo.site/t/original/i/ecd8c834931e80679249de9336ec2e9383ab6c20e6b436c7f069a23ed61932c8/Screen-Shot-2022-10-09-at-9.11.05-PM.png" data-mid="155333178" border="0" src="https://freight.cargo.site/w/1000/i/ecd8c834931e80679249de9336ec2e9383ab6c20e6b436c7f069a23ed61932c8/Screen-Shot-2022-10-09-at-9.11.05-PM.png" /> <img width="1160" height="1466" width_o="1160" height_o="1466" data-src="https://freight.cargo.site/t/original/i/caf705c6e80277843677bb46ed57a0c576996f5a563fd14ac2b6506fc0bf5710/Screen-Shot-2022-10-09-at-9.17.35-PM.png" data-mid="155333371" border="0" src="https://freight.cargo.site/w/1000/i/caf705c6e80277843677bb46ed57a0c576996f5a563fd14ac2b6506fc0bf5710/Screen-Shot-2022-10-09-at-9.17.35-PM.png" /> <img width="1168" height="1230" width_o="1168" height_o="1230" data-src="https://freight.cargo.site/t/original/i/6afc5a2f4d40632f484c9b05e8410c873194dc0838912ed055e0c7a3f26ee4e8/Screen-Shot-2022-10-09-at-9.15.07-PM.png" data-mid="155333334" border="0" src="https://freight.cargo.site/w/1000/i/6afc5a2f4d40632f484c9b05e8410c873194dc0838912ed055e0c7a3f26ee4e8/Screen-Shot-2022-10-09-at-9.15.07-PM.png" /> In-class exercise: Water mop calligraphy<img width="1214" height="1136" width_o="1214" height_o="1136" data-src="https://freight.cargo.site/t/original/i/2ac58cc296de5f1e132997ebc3ca3cc89933fec8e5901908f6c33fcf0df6136f/Screen-Shot-2022-10-09-at-9.20.37-PM.png" data-mid="155333427" border="0" src="https://freight.cargo.site/w/1000/i/2ac58cc296de5f1e132997ebc3ca3cc89933fec8e5901908f6c33fcf0df6136f/Screen-Shot-2022-10-09-at-9.20.37-PM.png" /> Process work by student Olivia Scheible<img width="1386" height="1536" width_o="1386" height_o="1536" data-src="https://freight.cargo.site/t/original/i/19fc7a0f80728abc93b9dbf946e84a226b879c309d7975acd38c708d5649c434/Screen-Shot-2022-10-09-at-9.28.47-PM.png" data-mid="155380696" border="0" src="https://freight.cargo.site/w/1000/i/19fc7a0f80728abc93b9dbf946e84a226b879c309d7975acd38c708d5649c434/Screen-Shot-2022-10-09-at-9.28.47-PM.png" /> Process work by student Rebecca Wagner <img width="5100" height="3300" width_o="5100" height_o="3300" data-src="https://freight.cargo.site/t/original/i/3060e4a4c9577fa4b1f71555b65c92044ecc0b0934d06f590f29530e37c3f865/abc-example-copy.jpg" data-mid="168970785" border="0" src="https://freight.cargo.site/w/1000/i/3060e4a4c9577fa4b1f71555b65c92044ecc0b0934d06f590f29530e37c3f865/abc-example-copy.jpg" /> <img width="5100" height="3300" width_o="5100" height_o="3300" data-src="https://freight.cargo.site/t/original/i/e9cb335afe381018b2903b667c1736f60941684f2d1baf34209fd4a55da73011/11x17-this-is-a-typeface-copy.jpg" data-mid="168970792" border="0" src="https://freight.cargo.site/w/1000/i/e9cb335afe381018b2903b667c1736f60941684f2d1baf34209fd4a55da73011/11x17-this-is-a-typeface-copy.jpg" /> Process work by student Rebecca Wagner https://lisamaionearchive.cargo.site/Exhibition-List Sat, 19 Mar 2022 22:06:14 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Exhibition-List <img width="1920" height="1088" width_o="1920" height_o="1088" data-src="https://freight.cargo.site/t/original/i/4e91afe3419f6a943f484de8e83e5dc195eedb79fe1cf67959afe5bb6446ea75/Artspace---Faculty-Exhibiton---Jan-2022-8748-Edit.jpeg" data-mid="136916788" border="0" src="https://freight.cargo.site/w/1000/i/4e91afe3419f6a943f484de8e83e5dc195eedb79fe1cf67959afe5bb6446ea75/Artspace---Faculty-Exhibiton---Jan-2022-8748-Edit.jpeg" /> Exhibition List2022 Layer on Layer, An Open Juried National Exhibition of Painting, Drawing, and Printmaking. Art League RI Gallery, Pawtucket, Rhode Island. 12 November 2022 – 5 January 2023Lamplighters. Vulpes Bastille, Kansas City. October 7–27, 2022. Doing Things With Images: TL;DR Zine Exhibition. Maryland Institute College of Art’s Pinkard Gallery. Baltimore, Maryland. September – October 2022. Charlotte Street Foundation Booth at MdW Assembly. Mana Contemporary, 2233 S Throop Street, Chicago, IL. 9–11 September 2022. (Mana Contemporary + Co-Prosperity, Chicago) Smart Objects / Flattened Images. Well Well Projects, 8371 N Interstate Ave #1, Portland, OR 97217. September 3–25, 2022. Convergence: A Contemporary Photography Exhibition. Indianapolis Art Center. Forthcoming 2022. I Am: Visual and Performing Arts Residency Exhibition. ArtsKC. National Association of Asian American Professionals - Kansas City (NAAAP-KC) in partnership with ArtsKC Aug 1–31, 2022. ArtsKC Gallery Space 106 Southwest Blvd. Kansas City, MO Evolving Graphic Design. University of Wisconsin-Madison. 24 May–24 June 2022. With A Cast of Colored Stars, Arnold and Sheila Aronson Galleries at Parsons School of Design, 2 West 13th St, New York, NY 10011. 24 January – 1 March 2022. 2021 Beautiful World(s): KCAI Biennial, The H&amp;R Block Artspace at the Kansas City Art Institute, Kansas City, MO. 19 November – 5 March 2022. SECAC 2021 Juried Exhibition, Bolivar Art Gallery at the School of Art and Visual Studies at the University of Kentucky Lexington, KY. 22 October – 12 November 2021.Andromeda Film Festival 2021, Official Selection. 20 October 2021. AIGA KC A16 Awards Exhibition, Kansas City, MO. 1 October 2021. 12th Annual 10x10x10xTieton, Tieton Arts &amp; Humanities; Mighty Tieton Warehouse at 608 Wisconsin Avenue, Tieton, WA 98947. 7 August – 10 October 2021.&nbsp; Beyond The Bounds MidWest Mixed Conference Virtual Exhibition, Minneapolis, MN. 6+7 August 2021. 2021 Kansas City Flatfile &amp; Digitalfile, H&amp;R Block Artspace, Kansas City, MO. 23 Jul – 14 Oct 2021 Phase Shift, Vital Spaces Gallery, Santa Fe, NM. July–August 2021. Curated by Amanda Lechner. KCAI Selections, Oak Street Mansion and Gallery, Kansas City, MO.2020 A Flag That Flies Large Enough, KCAI Jannes Library, Kansas City, MO. Alternating Currents Film Festival 2020, Official selection. 27–30 August 2020, Davenport, Iowa Twin Rivers Media Festival Experimental Competition, Official selection. 28 March 2020. 7pm via Facebook Live. Asheville, NC and Danville, VA. Oregon Short Film Festival Winter 2020, Official selection. 19-23 February 2020, Portland, OR. 5th Annual Hot Hands. Invited artist. Front/Space x Imagine That!, Kansas City, MO. [Postponed/Cancelled due to Covid] 2019 run, run riot, Plug Projects, Kansas City, MO. Opening 18 October 2019. Curated by Kevin Townsend. NEW, FIVE. KCAI H&amp;R Block Artspace Gallery. Kansas City, MO. 20 September – 17 November 2019 Current Works 2019. Kansas City Society of Contemporary Photography at Kansas City Artists Coalition. Opening 13 September 2019. Kansas City, MO. 27th Emerald Coast National Juried Fine Arts Exhibition. Mattie Kelly Arts Center Galleries, Niceville, FL. Juried by Isaac McCaslin. 17 August – 20 September 2019. Recipient, second place juror prize. ENDANGERED Juried Exhibition. St. Louis Artists’ Guild, St. Louis, MO. Juried by Olivia Lahs-Gonzales Habits of Thought, Patterns of Action. Plug Projects, Kansas City, MO. 19 July – 24 August 2019. Two-person exhibition. Internal/External: National Juried Exhibition. Arts Council of Southeast Missouri, Cape Girardeau, MO. Juried by Sarah Martin. 2019 June 7 – July 27. The 2019 Photographs in Conversation, Lenscratch.com Diptych exhibition (selected for Part 1), May 2019 The Upbringing. Indiana University Kokomo Downtown Gallery (2300 S. Washington St. Kokomo, IN 46902) 5–20 April 2019. Curated by Alyson Davis Williams. (chosen out of 450 entries)REELpoetry/PublicPoetry film festival. Official selection. University of Houston-Downtown, Houston, TX. 23 March 2019. Lineage and Impact: KCAI Faculty Past and Present. Haw Contemporary (Stockyards), Kansas City, MO. 4th Annual Hot Hands. Invited artist. The Drugstore KC Studios, Kansas City, MO. Ann Metzger Memorial National Biennial Exhibition. St. Louis Artists’ Guild, St. Louis, MO . Juried by Hannah Klemm (chosen out of 464 entries) Regional Juried Exhibition. Arts Council of Southeast Missouri, Cape Girardeau, MO. Juried by Jennifer Higerd. 2018 run riot, curated by Kevin Townsend. Plug Projects, Kansas City, MO. Kansas City Flatfile &amp; Digitalfile, H&amp;R Block Artspace, Kansas City, MO. (by invitation) Transformations. Curated by Mayuko Ono Gray. College of the Mainland Art Gallery, Texas City, TX. Typo-Poetry: Despite Black and White in Sound. Curated by Moonjung Jang. The OCAF Hall Gallery (Oconee Cultural Arts Foundation), Watkinsville, GA. An Unholy Alliance: Strange Exchange x METAFLOP, Strange Exchange Trading Post, Oklahoma City. Alignment/Suspension. 2419 SW 29th Street, Oklahoma City. 2017 Shift: Exhibition.&nbsp;LoosenArt Collective. Rome, Italy. Glyph Hall Project Space Exhibition. Banff, Alberta, Canada. To Whom It May Concern. Graduate Graphic Design Biennial Exhibition. 23 March–14 April 2017. Sol Koffler Gallery at RISD, Providence, RI. Van Eyck Open Studios 2017. 9–11 March 2017. Maastricht, The Netherlands. Just My Height Art Shows: Letters &amp; Numbers. Aventura Mall, 2460 SW 18th Avenue, #1307, Miami FL (chosen out of 93 entries). March 2017. Nasty Women Exhibition, The Knockdown Center, 52-19 Flushing Ave, Maspeth, NY. January 2017. 2016 Concept Winter 2016: The 2nd International Exhibition on Conceptual Art. Czong Institute for Contemporary Art (CICA Museum), Gyeonggi-do, Korea.&nbsp;16 December 2016 – 1 January 2017. Pangramme: learning type design. Juried exhibition. 21 October–18 November 2016. Fine Art and Design School Amiens, France. Annual Faculty Exhibition. 27 September–28 October 2016. Gardiner Gallery of Art, Stillwater, OK. 4th Annual Free City Festival (with Flint Public Art Project). Flint, MI. TDC62 Exhibition. Type Director’s Club. Cooper Union Gallery, 41 Cooper Square, NYC. TDC62 Traveling Exhibition. Seoul, Madrid, Dusseldoff, Seattle, Warsaw. Pangramme: learning type design. Juried exhibition. 29 April–20 May 2016. École Supérieure &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; d’Art de Lorraine, Metz, France. Graphex 47. 47th Annual Regional Design Award Exhibition. Art Directors Club of Tulsa. Tulsa, OK. Show/Grid. Group show of MFA Graphic Design. RISD Graduate Thesis Exhibition. 27 May–4 June 2016. RI Convention Center, Providence, RI. Shaping Language/Ffabschrift. 16–17 May 2016. GD Commons, Providence, RI. Our House pop-up exhibition. Trade Pop-Up, Providence, RI. 2nd Annual Student Artists’ Book Juried Contest and Exhibition. 6 May–1 July 2016, Providence, RI. Publishing House: A Temporary Instance of Correspondence Press. Extra Credit Gallery, Providence, RI. 22–27 April 2016. 2015 Dimensions Variable: Graphic Design Triennial 2015. 9 October–18 October 2015, Woods-Gerry Gallery, Providence, RI. Collaborative Portrait Project. (Contributing artist) Project orchestrated by Susan Bickford (86 BID). 10 October 2015. ID building lobby, 161 South Main Street, Providence, RI. The Digital Vs. The Archaic: Summer Academy Exhibition. 30 August–12 Sept 2015, Maastricht, The Netherlands. www.janvaneyck.nl/en/home/summer-design-academy-exhibition 1st Annual Student Artists’ Book Juried Contest and Exhibition. 6 May–1 July 2015, Providence, RI. Selected Student Work Exhibition, RISD Portfolio Cafe, Providence, RI. ANTHOLOGY 9. Spoken word performance and video. 21 April 2015, Providence, RI. 2002–2014 Odds and Ends Book Fair, Yale University Art Gallery. 5 December 2014, New Haven CT. Platform Project. Produced by Mimi Zeiger and Neil Donnelly. SVA D-Crit. 2011 Solar Decathlon Competition 2011, Empowerhouse, 22 September – 2 October 2011, Washington D.C. Solar Decathlon Exhibition: Empowerhouse Collaborative Workroom, 13–17 October 2010. Aronson Gallery at Parsons The New School for Design, 66 Fifth Ave, NYC. Fan Letter: 26 Artists and Designers Present Their Favorite Letter or Typographic Character. Presentation: Mountains: Reflections on the The Letter M. In conjunction with Lettering &amp; Type book launch. Cooper Union Gallery, 41 Cooper Square, NYC. From the Ground Up: Innovative Green Homes. Van Alen Institute gallery, NYC. Graphic Hug™ group project: I love you. http://www.graphichug.com/?p=2101 Tomato Workshop Exhibition / Group Show. Red Door Gallery, Providence RI. Feedbag. Curated by Michelle Barczak. Aquaspace, Savannah GA. SCAD Juried Honor Show. Anderson Hall, Savannah College of Art and Design, Savannah GA. — Work in Collections Fleet Library, Artists’ Book collection at Rhode Island School of Design[Link to object in the collection] https://digitalcommons.risd.edu/bookcontest2nd2016/184/ https://digitalcommons.risd.edu/bookcontest2nd2016/ TL;DR Zine Archive, Sam Fox School at Washington University, St. Louis at the D. B. Dowd Modern Graphic History Library. https://tldrzines.com/ https://lisamaionearchive.cargo.site/Design-Projects Tue, 20 Sep 2022 02:10:22 +0000 Lisa J. Maione — Teaching | Research | Service https://lisamaionearchive.cargo.site/Design-Projects <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/be4f117e16ec90c52059f99b6eacf8fc6915561d4e6a1656b59cc6d1a68f3c5a/CreativePrac_NowWhat_nowwhat_69559859_1343735365796740_4766075670218407936_o.jpg" data-mid="153393315" border="0" src="https://freight.cargo.site/w/1000/i/be4f117e16ec90c52059f99b6eacf8fc6915561d4e6a1656b59cc6d1a68f3c5a/CreativePrac_NowWhat_nowwhat_69559859_1343735365796740_4766075670218407936_o.jpg" /> Selected Design ProjectsListed by client, partner or collaborator(s), 2014–present Charlotte Street Foundation 2022– Exhibition identity graphics and typographic direction for the exhibition Handiwork: Art, Craft, and the Space Between. Working directly with curator K. Kitada, created design for title graphic to be accompanied by wall text and postcard design for audience takeaway genEquality 2020–present Creative direction, graphic design, lettering and illustration for genEquality’s communications and campaigns. — Activity Book Vol 1. design and compilation. Art direction for illustrations and in working with design intern. — Coloring Book Vol 1. design, editing and compilation. Art direction for illustrations and managing two freelance designers. — Partnered campaign Icon designs for Symphony, a financial technology firm based in London. — Coordination of Inclusive Safety Mural Series project in Kansas City, MO. Seeking funders, locations, and volunteers to bring 3-4 murals to the KCMO region. — Brand clarification and visual design cohesion for genEquality, launch March 2022 KCAI BFA Exhibition Identity 2022 Graphic design kit of parts and typography direction In collaboration with Visiting Assistant Professor E. Zhang Goethe Pop Up Kansas City 2021 Design for exhibition title wall and wall graphics for Unconventional: The Legacy of Joseph Beuys. 30 September – 13 November 2021. Exhibition featuring the work of four KC artists. Gerry Trilling 2020–2021 Design of an artist’s catalogue and index pamphlet documenting a solo exhibition at the Albrecht-Kemper Museum, St. Joseph, Missouri. Coordination with printers and color photography adjustments. B. Mclain 2021 Editing and design consultation work for professional presentation materials and online presence for an Independent Web Developer based in Tulsa. Li Beirut Project 2020 Project initiated by typographer and designer Nadine Chahine. Contributed a glyph for the collaborative typeface supporting Beirut, Lebanon’s recovery. Mistresses of Architecture / The Dinner Party 2020 Typography and graphics for dinner party event, inspired by Judy Chicago’s table, for a collaborative group of faculty and students at Pratt’s School Of Architecture. Coordinated and organized by Adjunct Associate Professor Michele Gorman Now What?! Advocacy Activism and Alliances in American Architecture Since 1968, by ArchiteXX 2017–2020 Development and design of identity and exhibition graphics for traveling exhibition. Initial installation was on view at Pratt’s Robert H. Siegel Gallery. 61 Saint James Place, Brooklyn, NY. Traveling Exhibition locations include New York City (NY), Los Angeles (CA), Syracuse (NY), Pittsburg (PA), Montreal (CAN), Boston (MA). ArchiteXX Membership Drive 2019–2020 Design of promotional materials for ArchiteXX’s first membership drive Jarrett Mellenbruch, artist 2019–2020 Design of layout and images for limited edition artists’ book Dr. E. Lim-Midyett, scholar 2019 Presentation design and typography for slide show and promotional materials Rookie magazine 2012–2018 Custom typography and lettering for monthly theme headers for the online magazine. Lettering for Rookie Yearbooks (1-4) published by Drawn and Quarterly. Tulsa Foundation of Architecture 2017 Branding, identity, and graphics for film festival promotional collateral MoveOn.org 2017 Images made to share on for social media as part of a campaign asking artists to contribute “star” images in alignment with the presidential inauguration Oklahoma State University Museum of Art 2016–2017 Graphic design and consultation for exhibition print collateral for Oklahoma and Beyond: Selections from the George R. Kravis II Collection for the Oklahoma State University Museum of Art. Typozon Brand and Identity Studio 2016 Copywriting consultation for Bogota-based design studio. CVS/Health 2014 Window display retail signage for a flagship CVS/Pharmacy location, 14th Street &amp; Fifth Ave, Manhattan. Management and art direction for a small team of designers and an architect (Parsons alum). Working closely with production vendors to produce large CNC milled forms and applied graphic patterns. Metropolis magazine2012–2014 Lead Art Director for four issues (Jan, Feb, Mar, Apr) of the architecture, culture and design magazine in 2014. Typographic illustration and front-of-book page design for October 2013 issue. Design and layout for annual Design Week booklet; design for various marketing materials in 2012. Private Choices Public Spaces 2014 Graphic design consultant and collaborator for an exhibition at the Aronson Gallery at Parsons The New School of Design. Led by Lori A. Brown and Kimberly Tate of ArchiteXX. Selected Client List 2005–present 3&amp;Co. ArchiteXX Arts&gt;Brookfield Billboard magazine BrandNYC BriggsKnowles A+D Charlotte Street Foundation Coffee Cup (a theatre co.) Cornell University, Atkinson Center For a Sustainable Future (ACSF) CVS/Health Dashbe Image Collective David Grubin Productions Derek Porter Studio Excellence Charter School Fashion Institute of Technology (FIT) Flatiron/23rd Street Partnership Friends of the Highline genEquality Gerry Trilling, artist Goethe Pop-up Kansas City Harmony Institute Institute of Play KnitKnit LEVENBETTS Architecture Studio Matter Architecture Practice Maclaren Melcher Media Metropolis magazine Millipore Mimi Ko Photography The New School Oklahoma State University Museum of Art Parsons The New School for Design Pratt Institute Project Inc. The Public Theater NYC Q Collection Junior Rookie magazine Sherrie Nickol Photography Southwest Brooklyn IDC Starbucks Sterling Publishing Steven Holl Architects Solace Magazine T Magazine, A New York Times Co. Town and Country magazine Trust for Governors Island Tulsa Foundation of Architecture Urban Justice Center Washington Mutual Bank WellNow Studio WeThink LLC William Stone, artist